The true story of the solo on “Get Off Your Ass” is lost to time, and perhaps to a wash of drugs. This doesn’t include the twenty or so bands that have spun off from the core. More than a hundred and seventy people have played in Funkadelic and its alter-ego band, Parliament, commonly referred to together as P-Funk. The kid sprayed a delirious, screeching solo all over the track and then walked off with his money, never to be heard from again, except for a few minutes on Funkadelic’s album “Let’s Take It to the Stage,” from 1975.Ĭlinton has always had an easygoing relationship to paperwork. He played “like he was possessed,” Clinton wrote. Clinton was sufficiently bemused to agree. The musicians were taking a break when, according to Clinton, a white kid wandered into the session-probably “a smack addict,” as he recalled in his memoir, from 2014, “Brothas Be, Yo Like George, Ain’t That Funkin’ Kinda Hard on You?” The kid asked if they would give him twenty-five dollars for a guitar solo. If you made it through them, then you tasted true freedom. At the time, Funkadelic was basically a psychedelic-rock band that took apart soul ballads, and its heavy, sprawling jams felt like an endurance test. In the mid-seventies, George Clinton and his band Funkadelic were working on a new song, “Get Off Your Ass and Jam,” at a studio in Los Angeles.
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